Homebody

Theo remembers feeling uncomfortable with how the world saw them from a very young age. Frustrations built up, from boys assuming that they couldn’t play chess to being forced to cut their own hair because hairdressers always insisted on more feminine looks. But experiences in art school, at comic-cons and playing tabletop roleplaying games, plus countless searches on the internet, led Theo to realize they feel most at home identifying as nonbinary.

Homebody, by debut author Theo Parish, is a delightful, beautiful graphic memoir celebrating the journey they took to discover their gender identity. Reading it feels like receiving a warm hug. Parish dedicates Homebody “for you, whenever and however you need it,” offering frequently interspersed epiphanies anyone can hold on to, such as “living authentically in a world that takes every opportunity . . . to squeeze you uncomfortably into a box of someone else’s design . . . is the most radical act of self love.”

Parish generates gorgeous imagery through a color palette of pinks and blues, sometimes blending the colors together. Shades of joyful pink illustrate Theo’s moments of gender euphoria. The most striking time Parish uses purple is in a full-page introspection about moments when they felt . Throughout the memoir, Theo is drawn with a literal house for their body, as an extended metaphor that is both powerful and charming.

This title truly matches the sweet nature and adorable, expressive illustrations of Alice Oseman’s Heartstopper, while being exceptional in its own way as a nonfiction offering. On the first page, Parish lists facts about their life before even mentioning that they’re nonbinary: In this vein, while Parish includes musings concerning general transgender and nonbinary identity, Homebody is first and foremost a memoir centered around Parish’s specific coming of age in England. Still, through this deeply personal exploration of gender identity, many who traditionally have been left out of narrative storytelling may see their own experiences reflected, as Parish “[shines] a beacon of hope to those yet to flourish.” 

Literature

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