Art

MBW Views is a series of op-eds from eminent music industry people… with something to say. The following MBW op/ed comes from Sammy Andrews. Below, she argues that Bill Ackman may be right about Universal Music Group – and still be wrong about the universe it sits within… Pershing Square‘s proposed $64 billion bid for
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Ever since physicist Alan Sokal published a hoax paper in the journalSocial Textin 1996 to skewer the “fashionable sectors of the American academic left,” a mini-industry of polemicists has dedicated itself to exposing the ideological excesses and intellectualbizarreriesof humanities scholarship. In 2018, the provocateurs James Lindsay, Peter Boghossian, and Helen Pluckrose performed Sokal’s stunt on
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Several people I know now refer to ChatGPT as ‘Chat’. They give it human pronouns (Chat is usually a he) and ask it for restaurant recommendations, holiday schedules and relationship advice. Some go further, automating their office admin and getting it to summarise meetings and write reports. Passing off whole chunks of AI-generated text as
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Artificial intelligence is rapidly learning to autonomously design and run biological experiments, but the systems intended to govern those capabilities are struggling to keep pace. AI company OpenAI and biotech company Ginkgo Bioworks announced in February 2026 that OpenAI’s flagship model GPT-5 had autonomously designed and run 36,000 biological experiments. It did this through a
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Lucinda ChildsMomentary RepriseFisher Center at BardJune 26–28, 2026Annandale-on-Hudson, NY Lucinda Childs Limitless Time Watermill CenterJuly 24–25, 2026 Water Mill, NY Even though choreographer Lucinda Childs has been working steadily for five decades, she is having a moment, with a program at Bard’s SummerScape 2026, and a new, five-year artistic residency with New York’s Gibney Company,
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Summer movie season is normally a battle of Hollywood heavyweights — but this year, two of the hottest tickets at the box office come from filmmakers who’ve never had movies in theatres before. Kane Parsons, 20, and Curry Barker, 26, the directors behind Backrooms and Obsession who both built their audiences on YouTube, have become
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Good Morning, The Kennedy Center found time this week to order Trump’s name scrubbed from every email signature, voicemail, and letterhead (Politico) — but still hasn’t approved the National Symphony’s budget, leaving the orchestra unable to book venues, announce a season, or sell subscriptions (The Washington Post). An institution that can manage symbolism but not
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“It’s a big shift,” says Creative New Zealand CEO Gretchen La Roche, “and I know that can be quite confronting for people. Quite unsettling, especially because we’re in the process. This will take time, it’s a transition, but people have been calling for change.” Our arts development and funding agency is undertaking one of the
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Art has never been a question of life and death.1—Barbara Rose IT WAS 1968, and Barbara Rose was excoriating her Artforum colleagues in the pages of the magazine. Assassinations, riots, and wars were ripping the country apart. Yet somehow these writers were wasting their energy and talents debating how sculpture could acknowledge its dependence on
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Published May 15, 2026at4:49pm Cricket just wants to dance. The $40,000 humanoid robot walked to the center of an octagon cage inside SoMa’s Temple nightclub Thursday night wearing a neon pink wig and struck a pose. A moment later, A-ha’s “Take on Me” filled the air, and Cricket started swiveling its hips, gyrating to the
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This week we collected 125 stories on ArtsJournal [subscribe]. Here’s what I learned: Over the past six months we’ve collected dozens of stories about the death of Hollywood. The cumulative numbers are stark: roughly half of all Hollywood production jobs are gone, and the family businesses that built the production economy — prop houses, florists,
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